Tag: LaChrista Borgers

Star Crossed, and other tales from a devious universe is an evening of tasty, bite-sized science fiction and fantasy from the playwright of Duel of the Linguist Mages and A Mouse Who Knows Me. The plays include:

STAR CROSSED
Directed by Scotto Moore
Featuring: LaChrista Borgers, Daniel Christensen, Melissa Fenwick, Erin Ison, Mark Rud, Gina Marie Russell, Stephen R. Scheide, Jake Ynzunza
A collection of four interlocking short plays about an immortal astronaut crossing time and space to reunite with the woman she loves.

SENDING A MESSAGE
Directed by Catherine Blake Smith
Featuring: Daniel Christensen, Sascha Streckel
A man builds a time machine to go back in time and murder Judy Garland before she can sing “Over The Rainbow.”

LEAVING THE NEST
Directed by Jen Moon
Featuring: Katie Driscoll, Gina Marie Russell, Stephen R. Scheide, Jake Ynzunza
When teenage demon Lilith falls in love with an angel, her parents Satan and Ashtaroth are faced with a parenting challenge.

THAT DOESN’T SOUND RIGHT AT ALL
Directed by Ian Johnston
Featuring: Daniel Christensen, Gina Marie Russell, Sascha Streckel
Elvis wins 15 minutes back on Earth in a poker game in Hell, and spends his limited time trying to connect with the love of his life.

COMING TO A CONCLUSION
Directed by Katherine Karaus
Featuring: Katie Driscoll, Melissa Fenwick, Mark Rud, Stephen R. Scheide, Jake Ynzunza
A group of neighbors is caught off guard when one of them orders a machine off the internet that produces instant and continuous orgasms.

PRODUCTION TEAM

written by Scotto Moore | directed by Kristina Sutherland
Apr 23 – May 22, 2010 | Fri-Sat at 8 pm
Industry Night: May 10 at 8pm
$15 gen | $5 stu

“When I Come To My Senses, I’m Alive!” is a near-future sci-fi story about a technological provocateur who invents a method for capturing emotions as digital information, as part of a project to “chart the emotional genome.” She develops a cult following of fans who download her very addictive “emoticlips” – each delivered with cryptic, poetic file names like “the surprise of an unfamiliar memory” – and play them back in hobby-built receiver helmets. The experience is not full blown virtual reality; instead, emotional responses & sensations are triggered, and each fan experiences something unique. A seedy television executive tries to coopt her technology to syndicate the emotions of TV stars, hiring an elite P.I. to figure out what her weaknesses are when she refuses to sell out… but in the meantime, publishing digital versions of her emotions to the internet has unexpected consequences amongst the botnets of the world.

SeattleActor.com review:

Scotto Moore‘s new play, “When I Come to My Senses, I’m Alive!” is the best kind of science fiction, the kind where speculation about the future feels like something you could wake up to tomorrow morning. In this World Premiere production, director Kristina Sutherland has kept the ideas fresh and intriguing and the performances finely finished and compelling. The acting is brisk and, at least for the enthusiastic opening night audience, it’s premise and articulation is easily embraced by a generation for whom the globalization of information, media and personal experience meld into our shared online identities…. [The play] is a lot of fun, at least in part because it is so confident and thoroughly considered in its ideas and equally finished in its theatrical savvy for putting them on stage.

Seattle Times review:

It’s not hard to be captivated by Moore’s provocative premise about a leap in information technology that makes human emotions a downloadable, vicarious experience. The story’s late turn toward suspense — with the spectral rise of freethinking, artificial intelligence on the Internet — certainly ups the ante in unexpected, spooky ways…. Director Kristina Sutherland keeps the action brisk and crisp, and knows how to nudge the audience’s imagination.

The Stranger review:

One wants to see more plays like this in Seattle—smart science fiction about the amazing world we have found ourselves heading toward.

Seattle Gay News review:

Fun, fascinating, thoughtful and delightful.

[Note: omnipotent self-aware botnets click here]

Jade Justad in When I Come to My Senses, I'm Alive!

CAST

CREW

PRESS

written & directed by Scotto Moore
August 1 – 30, 2008 – Friday & Saturday at 8 p.m.

In this epic blend of science-fiction and fantasy, a mysterious amnesiac finds herself in the lobby of an infinitely tall building located in the center of the multiverse, the headquarters of the United Association of Interdimensionary Travelers.

Her unexplained presence sets off a series of increasingly catastrophic events that not only compromise the security of the Association, but threaten to unravel the entire fabric of creation itself!

Can a superhero with a divine pedigree, an android companion, and archangels and devils together combine forces to help “Andrea Change” find her true identity, and prevent the impending apocalypse?

Drawing on influences as diverse as the metaphysical explorations of Philip K. Dick, and the scrappy tradition of low-budget sci-fi television, interlace [falling star] is a unique saga of love, loss, and redemption.

REVIEWS

“Beautiful imagining…. Next to the shine of speculative nodes are jokes that snap, crackle, and pop…. The presentation of this fantastic fusion, which also includes theological thought experiments and the narrative structure of a thriller, is strong all around…. The pleasures of interlace [falling star] are more than plenty.”
– Charles Mudede, The Stranger

The Stranger Suggests, August 15:
“Like life itself, this new play by local writer/director Scotto Moore is silly, in both the ancient (spiritually touched) and modern (frivolous) senses of that word. It is also serious (history has not changed the sense of that word). Set in an infinitely tall building – one that might resemble a new tower in Dubai or a tower Frank Lloyd Wright once imagined in a moment of madness – interlace is a tireless narrative machine that generates comic nonsense and cosmic concepts.”
– Charles Mudede, The Stranger Suggests

“Just go see it and enjoy yourself. Jen Moon’s performance as the nameless amnesiac heroine is smart and funny. LaChrista Borgers’s turn as the robot companion Trickle confirms that women in pink wigs make us think bad thoughts. Stan Shields brings all the gravitas and physical presence you could want to his super-hero character The Amazing Dr. X, while capturing his vulnerable side. And Kristina Sutherland, who has yet to disappoint us, recalls what Deckard must have been like before he became the burned-out shell of a man we meet in Blade Runner, with her hard-as-nails performance as psychic security officer Agent Grey.”
– Jeremy M. Barker, Seattlest

“Clever, amusing…. Sardonic bon mots are scattered throughout…. [Writer/director] Moore conjures…with geeky authority and natural comic flair.”
– Misha Berson, Seattle Times

“This trippy, smart, new sci-fi fantasy…uses futuristic techno-speak cleverly, and often keeps you guessing.”
– Seattle Times

In this “bent science-fiction vision of the godly plane”, the “characters joust with jaded irreverence and are skeptical of their own tropes.” The show is “zany fun…as if Joseph Campbell wrote an episode of Red Dwarf.”
– Giani Truzzi, Seattle Post-Intelligencer

“Jen Moon [as] ‘Andrea Change’…is wonderful to watch…. The very strong cast…takes a very funny journey into Infinity…. The journey is worth taking.”
– Miryam Gordon, Seattle Gay News

interlace [falling star] delivers “a cheerful blend of horror and humor, fueled by a heady mixture of future shock and super-heroics. Gotta say this about Annex: For a company that just reached the advanced age of 21, it’s still unafraid to tackle weird material and provocative ideas.”
– John Longenbaugh, Seattle Weekly

“Behind the absurdity, sci-fi mystery takes on serious questions about God and faith”
– Preview article in the Seattle Post-Intelligencer

Kristina Sutherland, Jen Moon & Stan Shields

CAST

CREW

SPECIAL THANKS

Annex Theatre wishes to acknowledge the generous contributions of 4Culture, The Flintridge Foundation, Microsoft Corporation, The Seattle Foundation, The Boeing Company, ActiveMac, and the Mayor’s Office of Arts and Cultural Affairs for their support of this production.