Team of Heroes: Behind Closed Doors

Written by Alexander Harris
Directed by Jaime Roberts

Thu-Sat at 8 pm, April 20-May 19 (Thu PWYC)
$15 general / $10 TPS, senior, military / $5 student
PWYC Industry Night: Monday, May 14

Contains strong language.

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The gleaming teeth and bulging muscles of America’s preeminent superheroes hide a dirty past and a fractured present.
HOW DID MADAME MAYHEM AND THE CAP’N GET THEIR POWERS?
IS MISS DIXIE AS SWEET AS SHE SEEMS?
WILL SHOCKWAVE’S MOVIE CAREER TAKE OFF?
AND HOW DO GORILLAS FIT INTO ALL THIS?
The same creative team that brought you Annex Theatre’s surprise hit Alecto: Issue #1, returns with another spandex-clad tale of media manipulation and super-heroics.
NEW PLOTS! NEW VILLAINS! NEW HEROES!

“Big, stupid fun done smartly and with tremendous intimacy… Anyone who loves theatre should see this show. Anyone who makes theatre should go learn something from it.” –The Sunbreak

“Cheeky and dark…delightfully self-conscious comedy.” –Seattle Times

“It’s definitely a night to enjoy, and you can puzzle out the deeper meanings later.” –Seattle Gay News

“The real treat of the evening was the main villain, ‘Chaos Theory’, superbly played with great comic timing by Rachel Jackson who also…enacts Chaos Theory’s Scottish Puppet Henchman/Lover ‘Randy’. Ms Jackson’s love scene between her own felt covered hand, and herself, was pretty damn brilliant.” –Seattle Gay Scene

CAST
Tracy Leigh Madame Mayhem
Jason Sharp The Cap’n
Nik Doner Shock Wave
Rachel Jackson Chaos Theory
Ashley Bagwell Ace Johnson
Jana Hutchison Black Swallow
Danielle Daggerty Miss Dixie
Angela DiMarco Melody Knox
Sam Hagen Vladimir/8
Ryan Higgins Mikhael/Dick Engelbert
CREW
Writer Alexander Harris
Director Jaime Roberts
Production Manager Kristina Volkman
Stage Manager Lisa Stahler
Scenic Designer Devin Petersen
Sound Designer Michael White Hayes
Graphic Designer/Geek Consultant Cole Hornaday
Fx Team Max Reichlin, Emily Sershon, Ian Johnston
Fly Master Mike Gilson
Projection Artist Dominick DiGregorio
Costume Designer Candace Frank
Assistant Costume Designer Jenn Hill
Lead Seamstress Meaghan Darling
Lighting Designer Regan MacStravic
Props Designer Amy LaZerte
Assistant Props Designer Jodi Sauerbier
Fight Choreographer Casey Brown
Assistant Director Katherine Karaus
Dialect Coach Pamala Mijatov
Videographer Ben Laurance

Gallery of Press Photos

c.1993 (you never step in the same river twice)

Conceived & directed by Bret Fetzer
Thu-Sat at 8 pm, Oct 21-Nov 19
$15 general / $10 TPS, senior, military / $5 student
PWYC Industry Night: Monday, November 7

Annex Theatre invites you on a journey to 1993, the year River Phoenix died, WWF’s RAW was launched, Bill Clinton was inaugurated, and Whitney Houston convinced the world she would always love them.

Bret Fetzer and his ensemble of local performers present a moody musical mash-up, a retrospective with modern resonances. There will be singing, there will be dancing, there will be wrestling, there may be a few answers, but the fun will lie in asking questions.

c. 1993 (you never step in the same river twice) began with the death of troubled young man, who happened to be a huge celebrity. Bret Fetzer found himself unexpectedly saddened by the death of River Phoenix; Fetzer had always liked Phoenix, but hadn’t realized the emotion and hope he’d projected onto the young actor.  Looking for a way to examine the cultural impact of icons and celebrities, Fetzer turned to theater; looking for a larger frame for this exploration, he turned to 1993, the year Phoenix collapsed on a Los Angeles sidewalk and died of a drug overdose.

1993, it turns out, was a pretty busy year. While sifting through its cultural remnants a second theme began to emerge. One cannot examine celebrity without the media nor can one examine the media without noting their focus on sexual politics and their disparate portrayals of men and women. From the graphic Bobbitt headlines, to the music of P.J. Harvey and Billy Ray Cyrus, to the romanticism of Sleepless in Seattle; tensions, contradictions and double standards were in fine form in the early 90’s. While River Phoenix’s overdose only added to his mystery and sex appeal, Courtney Love’s struggles made her an object of ridicule; a drunken clown.

Once c.1993 was cast, the production began to take shape during development workshops in August.  The 15 performers and nimble crew gathered to experiment and brainstorm, drawing on the research and initial ideas of the director as well as their own memories.  (Not every member of the cast was old enough to have vivid recollections of the cultural climate of the 90s.  In fact, not every member had been born by the show’s title year.)

The beauty of ensemble generated work lies in the contribution of each member to both the creation and execution of a project. This is also the challenge of ensemble generated work. c.1993 thrives from the strength of a collective consciousness working under a unifying vision. The result is a non-linear, highly musical performance piece; more theatrical essay than a well-made play.

History, even recent history, fascinates with its unique mixture of the alien and the familiar. We may have sleeker haircuts and wardrobes with considerably less flannel, but we still build cultural movements around new musicians. We still pin our hopes on Presidential candidates offering change, only to be disappointed. We continue to blur the lines, not only between sports and entertainment, but between entertainment and any situation, competition or career that will compel viewership. And we still get sucked in to the sexy, soulful drama of self-destructive young men, while shaking our heads and clicking our tongues at their female counterparts.

The Seattle Weekly review:

Among the fine ensemble, Phoenix and his My Own Private Idaho castmate, Keanu Reeves, are portrayed by actresses Danielle Daggerty and Emily Lockehart, respectively. Daggerty skillfully employs Phoenix’s mannerisms, like the constant brushing back of his hair and tendency to look away from his interviewer. The brash foil to Phoenix’s tender-hearted soul is none other than Courtney Love (the luminous Melinda Parks), who commands the stage in fierce red undies while powering through Hole’s “Violet.” Somehow Parks makes Love both vulnerable and tough, reclaiming a multidimensional woman from clownish caricature. Her performance alone is worth the price of admission.

About Bret Fetzer

Bret Fetzer is a playwright, director, and performer who’s been working in Seattle theater since 1987.  His plays—which include Planet Janet, The Story of the Bull, Blind Spot (co-written with Juliet Waller Pruzan), and Clubfoot, or, Tales from the Back of an Ambulance (co-written with Stephen McCandless)—have been produced by theaters in Seattle, Portland, San Francisco, and other cities around the U.S.  He was commissioned by Seattle Children’s Theatre to write a play for young audiences: Everyone Knows What a Dragon Looks Like.  He has recently directed Hearts Are Monsters by Kelleen Conway Blanchard for Macha Monkey Productions and solo performances by Matt Smith and Stokley Towles, as well as all five episodes of Scot Augustson’s late night serial Penguins for Annex.  His collections of original fairy tales, Petals & Thorns and Tooth & Tongue, are available through www.pistilbooks.com.  He has been the artistic director of Annex Theatre, the theater editor of the Stranger, the building manager of Richard Hugo House, and a vacuum cleaner salesman.  He was also a field agent for the Barbie Liberation Organization, who, in 1993, switched the voice boxes of Teen-Talk Barbies and talking GI Joes, resulting in toy soldiers who said “Let’s go shopping!” and sprightly blonde dolls who said “Dead men tell no tales.”

CAST
Samantha Cooper Riot Grrrl, Interviewer, ensemble
Danielle Daggerty River Phoenix, ensemble
Aubrey Dangel Bee Girl, Tom Hanks’ kid, Cadet, ensemble
Justine Freese Wrestler, Meg Ryan, ensemble
Bruce Hall Gus Van Sant, ensemble
Marty Krouse Bill Clinton, Wrestling Announcer, Cadet, ensemble
Emily Lockehart Keanu Reeves, Reporter sick of penises, ensemble
Mike Mathieu Wrestling Referee, Double Dare Host, Tom Hanks, ensemble
Melinda Parks Courtney Love, Academic discussing Madonna, ensemble
Erin Pike Lorena Bobbitt, Oscars Host, ensemble
Peter Richards Kurt Cobain, ensemble
Gina Russell Whitney Houston, Wrestling Announcer, Shannon Faulkner, ensemble
Evan Tucker John Bobbitt, ensemble
Sarah Winsor Martha Plimpton, Wrestler, Howard the teddy bear, ensemble
Amanda Woodard Wrestler, Walter, Cadet, ensemble
CREW
Assistant Director Kristina Volkman
Lead Designer Max Reichlin
Sound Designer Peter Richards
Stage Manager Michelle Berweiler
Choreographer Monica Gilliam

Press photos

Alecto Issue #1

Check out the Team of Heroes at http://facebook.com/teamofheroes

written by Alexander Harris
directed by Jaime Roberts

Jan 22 – Feb 10, 2010
Friday and Saturday 8pm
$15 gen / $5 stu

A troubled heroine with an incredible power discovers that the popular superhero team she’s joined has questionable notions of good and evil. Alecto, Issue #1 translates the world of comic books to the stage, mixing social satire, physical spectacle, sly comedy, and an imaginary pig.

CAST
Jessica/Alecto Maridee Slater
Diana/Greta Carrie McIntyre
The Cap’n Jason Sharp
Madame Mayhem Tracy Leigh
Shock Wave Nik Doner
Piggy Pigg Chris Bell
Melody Megan Ahiers
Nathan/Nigel Banton Foster
Baz William Hardyman
Chaos Theory Rachel Jackson

Tracy Leigh, Maridee Slater, Nik Doner, Jason Sharp

CREW
Stage Manager Noelle Wilcox
Assistant Stage Manager/Fly Master Mike Gilson
Set Design Ann Marie Caldwell
Light Design Allysa Thompson
Costume Design Afton Pilkington
Props Design Emily Sershon
Sound Design Michael Hayes
Sound Board Operator Regan MacStravic
Technical Director/Fly Engineer Ian Johnston
Production Manager Kristina Volkman
Graphic Designer/Geek Consultant Cole Hornaday
Fight Choreographer John Lynch
Dialect Coach Pamala Mijatov
Seamstress Meaghan Darling
SPECIAL THANKS

Seattle Children’s Theatre, Seattle Repertory Theatre, Teri Lazzara and Theatre Schmeatre, Jodi Sauerbier, David Baum, Meghan Darling, Mark Siano and the Freedom Dancers, Ouchey, Balagan Theatre, All the actors who participated in the many readings, Austin Elston, Emily Gallagher, Sue and Dick Harris, Jennie Harris, Angela Cherry, Washington Lawyers for the Arts, Arya Bahrami, James L. Vana, Ed Sershon, Bret Fetzer, Scotto Moore, Ben Laurance, Nicolette Butler, Joel and Cora Caldwell, Craig Bradshaw, Michael LoSasso and Stone Soup Theatre Village Theater, Rick Miller, Jane Stratton and Tom Champoux, Marilyn Fox, Jolene Obertin, Marty Spiegel, Jesse Card

Blind Spot

written by Bret Fetzer & Juliet Waller Pruzan
directed by Rachel Katz Carey
with songs by Rick Miller
Jan. 16 – Feb. 14, 2009

When 8 year old Kirsty Vanderkamp finds a hidden world in the nooks and crannies of her house — dust bunny farmers under the bed, a burlesque show in the butter compartment, a tabloid published in the china cabinet — she also finds herself caught up the wake of Aura Rotter, an ambitious social climber working her way up the rungs of society, and the lovelorn Iota Potts, a farmboy who risks everything that ever mattered to him to win Aura’s heart. Kirsty travels from the depths of the drains to the heights of the lighting fixture as she tries to make sense of this miniature world — and her own.

REVIEWS

“Blind Spot wends its way into your imagination… I found Blind Spot something of a revelation: I saw new life and new civilizations, and boldly went where no man had gone before. Way cool.” — Seattle Weekly

“The play reinvents the house in a childlike way as a rich, surprising place and satirizes all kind of adults, from the poor devout to the filthy rich.” — The Stranger


The cast of Blind Spot

CAST
Kirsty Vanderkamp Jennifer Pratt
Astor Potts, Sheriff Whilk, Escrow Deshabille, Dr. Churlish, Gamut Tawdry John Bianchi
Sella Stringley Potts, Deputy Gall, Peril, Jolly Deshabille, Summit Tawdry Sara Balcaitis
Iota Potts Joe Feeney
Onus, Vigor Potts, Tubly, Announcer, Luster Wedge, Waifish/Snit Seanjohn Walsh
Aura Rotter Alissa Mortenson
Bib Clad, Deputy Hisk, Burn, Escrow Deshabille III, Yodel, Spat Mayhap Daniel Christensen
Protestor, Volly Smirk, Dulcet Expiration, Fernel Spriggs, Pasty Sann Hall
Glee Patina, Booboo Expiration, Uvula Bestwick, Illicit Deshabille Ellie McKay
CREW
Production Manager Kristina Volkman
Stage Manager Meg Tully
Assistant Stage Manager David Roby
Costume Design Juliet Waller Pruzan
Pamala Mijatov
Lighting Design Matt Shannon
Properties Design Ashley Born
Set Design Bret Fetzer
Sound Design Brian Christian
Song Recording Michael Hayes
Build Team Ron Darling
Max Reichlin
Costume Team Jen Moon
K.D. Schill
Properties Team Sean Kauffman
Allison Lizott
Gabby
Meryl Roth
Poster Design Susannah Anderson
Bret Fetzer
Amber Zipperer
Special Painting Susannah Anderson
BUILD CREW

Chris Bell, Daniel Christensen, Chris Comte, Meghan Darling, John DeShazo, Ciara Griffin, Allie Hankins, Sandy Kopriva, Todd Kopriva, Jem Lewis, Gary Menendez, David Roby, Matt Shannon, Suja Hart, David Otten, and Kristina Volkman

SPECIAL THANKS

14/48, Wendy and Marc Barrington, Ruth Baugh, David Baum, Lyssa Browne, Nicholas Carey, Stanley and Arlene Cohen, Chris Comte, John DeShazo, Eglantine, Ilene Fins, Anne Fitzgerald, Ted Ford, Susan Freccia, the Katz Foundation, Nebunele Theatre, Alan Pruzan, Brandon Simmons, Crispin Spaeth, Roy Stanton, Alia Swersky, Theater Schmeater, theater simple (Llysa Holland and Andrew Litzky), Sulo Turner

The Moon Is A Dead World

written by Mike Daisey | directed by Christopher Comte
October 17 – November 15, 2008

This first play by acclaimed monologuist Mike Daisey (21 Dog Years, Monopoly!, How Theater Failed America) weaves a vision of the brutal history of the Soviet space program with an unbelievable premise: a dead cosmonaut is called back down to Earth on a radio wave when Americans in a remote Arctic base hear the beating of his dying heart. A dark and hilarious fairy tale set against the Cold War, it asks what we risk in the struggle between will and humanity, and what it means to love beyond death itself.

ABOUT THE AUTHOR

Playwright Mike Daisey has been called “the master storyteller” and “one of the finest solo performers of his generation” by the New York Times for his groundbreaking monologues which weave together autobiography, gonzo journalism, and unscripted performance to tell hilarious and heartbreaking stories that cut to the bone, exposing secret histories and unexpected connections.

His monologues, fourteen and counting, include the controversial How Theater Failed America, the six-hour epic Great Men of Genius, the unrepeatable series All Stories Are Fiction, and the international sensation 21 Dog Years. Over the past decade he has performed his unique extemporaneous monologues at venues such as the Public Theater, American Repertory Theatre, the Spoleto Festival, Berkeley Repertory Theatre, the Cherry Lane Theatre, Yale Repertory Theater, the Noorderzon Festival, the T:BA Festival, Performance Space 122, and many more.

He’s been a guest on the Late Show with David Letterman, a commentator for PRI’s Studio 360 and NPR’s Day To Day, a contributor to WIRED, Slate and Salon, a web contributor to Vanity Fair and Radar Magazine, and his work has been heard on the BBC, NPR, and the National Lampoon Comedy Hour. His first film, Layover, is being distributed by Lars von Trier’s company Zentropa, and he stars in the Lawrence Krauser feature Horrible Child. His first book, 21 Dog Years: A Cubedweller’s Tale, was published by the Free Press and he is working on a second book, Great Men of Genius, adapted from his monologues about genius and megalomania in the lives of Bertolt Brecht, P.T. Barnum, Nikola Tesla, and L. Ron Hubbard.

He has been the recipient of the Bay Area Critics Circle Award, two Seattle Times Footlight Awards, and a MacDowell Fellowship. He lives in New York City with his director and collaborator, Jean-Michele Gregory. The Moon Is A Dead World is his first play.

REVIEWS

“[Playwright Mike] Daisey has a rich, restless imagination…. Moon is a small, sweet pleasure.” – The Stranger

“Director Christopher Comte has put together an entertaining production worthy of the script.” – Seattle Weekly

“Fascinating…. Annex’s production is an amazing display…. Crisp direction, great set design, and excellent sound support create a great reality for this unreal play. The four actors are all excellent. … This is one of the best efforts Annex Theatre has produced, and that’s saying a lot.” – Seattle Gay News

“If a new play of this caliber opened in Seattle every few weeks, we could stop going to see Hollywood crap or caring about how Christian Slater blows up Russians on the TV.” – Seattlest.com

Preview in the Seattle P-I: Full-length ‘The Moon Is A Dead World’ is a new phase for solo performer Mike Daisey

Interview on Seattlest.com: A Dialog with Newly-Minted Playwright Mike Daisey


The cast of The Moon Is A Dead World

CAST
Gregor Zachariah Robinson
Nimitz/Josef Jack Hamblin
Cal/Vassily Clayton Weller
Irina Pamala Mijatov
CREW
Stage Manager Meaghan Darling
Set Design Max Reichlin
Light Design Nate Redford
Costume Design Stacey Bush
Illustrator Susannah Anderson
Sound Design Michael Hayes
Asst. Stage Manager David Roby
Sound Board Operator Casey Bates
Production Manager Kristina Volkman
Photographer David Baum
SPECIAL THANKS

AFTRA Seattle Local, Cicada Bridal, Ron Darling, John DeShazo, A.J. Epstein, The Ethereal Mutt, Ltd., David Gassner, Teri Lazzara, Theater Schmeater, Frederick Vegas.

Annex Theatre wishes to acknowledge the generous contributions of 4Culture, The Flintridge Foundation, Microsoft Corporation, The Seattle Foundation, The Boeing Company, ActiveMac, and the Mayor’s Office of Arts and Cultural Affairs for their support of this production.