Tag: Kayla Walker

Think of the classic hero’s quest: a rousing call to adventure, legendary challenges and temptations, a road full of trials and perils, transformation, atonement, and an ultimate resolution. Think of Aladdin, The Princess Bride, or Star Wars. The difference here? The heroes are young women in modern-day Seattle, who must navigate a male-dominated world and fight their battles in a society that imposes constraints on their gender and generation. This devised ensemble adventure asks, what does it take to be a modern heroine?

The Ensemble:
Kiki Abba
Haley Maria Alaji’
Gabriela Marta Aleman
Erin Bednarz
Katherine Marie Bicknell
Lauren Brazell
Amy Escobar
Kayla Walker
Production Crew:
Stage Manager – Elizabeth Stasio
Production Manager – Catherine Blake Smith
Associate Director – Javonna Arriaga
Assistant Stage Manager – Laura Owens
Lighting Designer – Ryan Dunn
Costume Designer – Amy Escobar
Sound Designer – Alex Potter
Scenic and Props Designer – Jenna Ryan
Promotional Photography and Lighting – Chris Leher
Promotional Concept and Styling – Amy Escobar
Technical Director – Chris Leher

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A warren of abandoned bunnies in Woodland Park evolves into a dark religious cult in this gleefully unsettling tale of revenge, sacrifice, and the most transgressive love of all. A world premiere with original music, inspired by the classic Greek tragedy The Bacchae.

“‘Bunnies’… is one of the most imaginative, entertaining and surprisingly substantial new shows of the season… ‘Bunnies’ is fun and entertaining throughout, but it also has real substance and allows us to leave the theater both entertained and inspired. This show allows us to revisit a sacred temple that we have not returned to in a very long time, but that still earns its place of reverence in our modern world. It’s a great achievement.” – Seattle Actor

“Keiko Green hits this one out of the park. The musical is engaging from start to finish, taking twists and turns and challenging audience members to reflect on how they interact with the natural world. Kudos to Annex for producing a new work with a powerhouse female ensemble. Simply put, this show doesn’t have a weak link. The script, music, choreography, design elements and performances converge to create a ferocious, furry musical infused with the macabre. You won’t want to miss this gem of a production!” – Copious Love

“Just when you think you’ve nailed down the tone of local playwright Keiko Green’s fractured fairy-tale musical ‘Bunnies,’ it takes a sharp left turn, hopping from baroque mythologizing to broad satire to shock-powered black comedy. It’s not quite Beatrix Potter on acid, but Green and director Pamala Mijatov’s stark vision of corrupted innocence is rarely less than intriguing.” – Seattle Times

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“‘Zapoi’ is Russian slang, dating back to at least the 19th century, for the national habit of going on days-long benders so catastrophic that, as one ethnographer reported to the Anthropological Society of London in 1870, they ‘are regarded as a disease.’ The word doesn’t appear anywhere besides the title in Quinn Armstrong’s world-premiere comedy at Annex Theatre, but it could be a one-word summary of a sprawling fantasia that treats Russian suffering and derangement as an endemic sickness…. It’s a delirious and damaged run at Our Town, filtered through the battered kidneys of Russian history…. Kayla Walker gives a commanding performance as the KGB agent Oksana, a woman with 1940s Hollywood glamour and torture chambers hidden behind her meticulously charming smile…. Zapoi! tends to be funniest when things are at their worst…. its darkness is delightful.” – The Stranger

“Zapoi!, the new play from writer Quinn Armstrong that is playing at Annex Theatre through February 21, is surrealist and ambitious…. it is a play that I hope a lot of people see and think and talk about. It’s what Annex Theatre likes to call a ‘#BoldNewWork.’ Armstrong and director Kaytlin McIntyre deserve credit for creating a work that never feels predictable…. What I found so timely and relevant about Zapoi!, was that the subjects of free speech and free will come up and they’re impossible to ignore…. there are so many ideas coming out of Zapoi! in its two and a half hours, that they all can’t be explored fully, and really shouldn’t be. It leaves a lot to the audience to continue the conversation afterward.” – The Journal of Precipitation

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